December 11, 2023

Jump 2023 Showreel

Welcome to the Jump 2023 Showreel.

As the year draws to an end, we love to reflect on the last 12 months of creativity from those motion-graphics magicians in the Jump team. It’s been a busy year and we would like to say thank you to all the wonderful clients that have trusted us with their precious pixel projects. It’s been a blast and we are all set for more in 2024.

We pride ourselves in making projects an enjoyable experience for our clients. We’re not only aiming for a fantastic end sequence but to build relationships and win the trust of the people we work with. Here are a few kind words from the very lovely people we’ve been doing that with in 2023.

FEVO SPORT INDUSTRY AWARDS
Tom Barwick – Content & Marketing Manager at Sport Industry Group:
“It has been a pleasure to work with Jump again on the latest edition of the FEVO Sport Industry Awards. Once again, we wanted to refresh the look and feel of the event, and Jump provided us with three strong creative directions. We were delighted with the final result, and appreciate Jump’s continued creativity, consistency, and flexibility. With the Awards night on the horizon, we are looking forward to working with Callum and team again.”

THE HUSTLE
Jenny Johnson – Founder:
“Having worked with Jump on multiple projects they never cease to amaze me. Jump is a ‘one of a kind’ company with exceptional skills and creativity. Anything is possible and always sprinkled with a bit of magic that takes your breath away. A magnificent team who are always on time. On point. And shoot for the stars. Thank you for everything you do.”

WEB OF DEATH
Lucie Ridout – Executive Producer:
“Working with Jump on this project was, as ever, a total joy. From start to finish they worked collaboratively and professionally to adapt to a changing style for a new series. They always brought creative solutions with a smile and helped us navigate a tricky editorial journey.  Lee and Hannah worked tirelessly to ensure the transitions through stages of production were seamless and developed solutions to enable us to work in the most flexible way for everyone.  I look forward to working with them again in the future.”

TRUE CRIME STORY: LOOK INTO MY EYES
Brent Hodge – Series Director:
“We had a kernel of an idea for an opening sequence. Something to do with highschool and pages flipping from the yearbook to enter that world, but that was really it for creative bullet points.  What we got back from the initial idea phase to the final product from Jump was beyond anything I could imagine. A sinkhole visual into a yearbook that brings us deeper into a dreamlike journey of the film, every step giving a nod to extremely specific visuals we see throughout the series. The detail and accuracy was unlike any opening I’ve ever had on our films. The process with Jump was seamless to get this to execution.”

ALAN CARR’S PICTURE SLAM
Triple Brew Media:
“Making a quiz show like Picture Slam – based entirely around pictures – is no easy task. A key element of that was making these pictures stand out. Jump managed to deliver beyond our expectations, giving each picture life and depth with a parallax effect – something that feels very modern and unique for TV. The way they handled the volume and workflow was impeccable; Harry, Mia, and the rest of the team were truly a joy to work with.”

If you have any projects in the pipeline that you would like to discuss with us – please get in touch.

  • motion graphics